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A team of Cambodian and international scientists has uncovered the first Angkorian-era iron smelter ever to be found virtually intact. On the second day of a three-week excavation in Preah Vihear province, the archaeologists unearthed what they had spotted during previous surveys in Rovieng district near Phnom Dek mountain: a furnace used a millennium ago to extract iron from ore.
A five-year pilot program is being created to integrate arts and culture into public schools throughout the country, and may help Cambodians develop a better understanding of their roots and the creative ability to take on global challenges.
Like any flower, the phka sla grows, blossoms, then eventually withers and dies. But as a central feature of Cambodian weddings—handed from the groom to the bride as their journey begins—its symbolism can remain alive long after its petals have fallen.
Over the last century, many countries have faced a predicament as they topple brutal regimes or emerged from devastating conflicts.
In 1991, Cambodian factions that had fought each other for decades signed the Paris Peace Agreements to end their conflict. But peace would not truly return until the last Khmer Rouge forces surrendered in December 1998.
“Sampot civilise” (Civilized sampot), a new exhibition in Phnom Penh, celebrates one of Cambodia’s oldest garments, at once both beautiful and practical, and kept alive through the country’s good times and bad.
For two millennia, merchants and monks have carried parts of their culture across Asia, influencing everything from religious practices to the arts in Cambodia, including bringing some traditions from India that were transformed upon arrival.
Is there such a thing as true freedom? Or is it impossible to escape pressures from family, friends, lovers, work, society or oneself—no matter how much one tries? This is the question artist Nov Cheanick raises in his latest exhibition “Break the System,” held at Battambang City’s Sangker Gallery.
Fulfilling a dying dream of mathematician Amir Aczel, an exhibition is set to open this month at the National Museum displaying an inscription in Old Khmer containing the very first use of the number “0” discovered in the world.
A sense of Khmer history has persisted through centuries of Cambodian upheaval and turmoil, a tenuous, ambiguous chain of memories sinking and resurfacing over a vastness of forgotten time. Those shifting sands of memory—created, shared and lost—are explored in a collection of research being presented tonight at the Institut Francais.
In 1987, a young American photojournalist headed to Thailand to document the precarious life of Cambodians in refugee camps along the border. What his photographs captured were the dire circumstances of everyday life, and the tremendous fear and deep sorrow of those who survived the starvation, beatings and executions that had claimed so many lives.
Since 2010, lack of access to surgery in poor countries such as Cambodia has led to 16.9 million deaths—a third of deaths worldwide, easily surpassing the 3.83 million deaths due to HIV/AIDS, tuberculosis and malaria combined.
Battambang artists’ presence is not always obvious to the general population of the city, so a group of them decided to organize an arts festival.
Painter Chov Theanly is both puzzled and captivated by those who assume personas while virtually ignoring the world that surrounds them, and his latest exhibition of paintings explores this dichotomy in oils.
Unlike so many, his words live on—in essays, poetry, a novel and a documentary film, “A Tomb for Khun Srun,” to be shown Saturday at the Institut Francais.
A year ago, a team of leading arts advocates in Phnom Penh unveiled grand plans to turn a multi-story boat into a visual and performing arts center off Sisowath Quay. But those plans were scrapped after inspections revealed costly structural problems.
The International Music Festival, which opens tonight in Phnom Penh, will this year be filled with the songs, poems and gentle melodies played on instruments that charmed royals and street vendors alike four centuries ago in Europe—but with a Cambodian-inspired twist.
French historian and editor of “The Black Book of Communism,” Stephane Courtois discusses terror as a government tool.
If one were to capture, in a collection of images, what Cambodia has gone through over the past 50 years, it would look something like Leang Seckon’s latest series, which opens on Monday night at Java Cafe in Phnom Penh.